Terminal Function’s “Clockwork Sky” is the follow-up album to 2008’s Measuring The Abstract. Progressive technical metal of the highest magnitude. Influenced by Meshuggah, Cynic, Gorguts, and more.
Mixed and mastered by Per Nilsson (Scar Symmetry, Scar Guitar).
Red Cell (Stefan Aronsson, Jimmy Jönsson and Per Linnerblad) has with their two previous albums “Hybrid Society” (2005) and “Lead Or Follow” (2008) established themselves as a strong force within the Swedish electronic scene. Now they are finally back with brand new material showing a more mature poporiented sound that will not only keep all their old fans happy but for sure find them new.
Stefan Aronsson and Jens Eriksson joined together as FAP in 2004 and began their playful electronic operation in the small steel-producing town of Sandviken in northern Sweden, After a couple of formative years, the duo released their debut LP Malekasino Dondolo in 2006 which was nominated for an independent Grammy in Sweden the following year.
FAP has also exhibited both video and audio installations which have explored in depth the group’s sonic and visual world. Their audio installation Ljudmusik had its first performance in Gävle in 2006 was also exhibited in Lund the following year.
“Stilett i sanden” is the new track from FAP, after seven years of silence.
When I don’t do mastering assignments, I play guitar in the technical death metal band Terminal Function. Our sophomore album Clockwork Sky is out on Willowtip Records on September 18.
Preview a full track from the album here: